Die Abschlussklasse 2020 des SchmuckDesign-Kollegs der KunstModeDesign Herbststrasse zeigt ihre Diplomarbeiten 2020/21 in einer virtuellen Ausstellung.
Aufgrund der aktuellen Umstände musste diese Ausstellung einen neuen Ort finden und fand ihn in den Sozialen Medien. Wir haben in der Vergangenheit eine unserer Ausstellungen auf Instagram begleitet und besonders die Nähe zu den Besucher*innen, die Flexibilität der Präsentation und die Möglichkeit der direkten Information geschätzt.
Unsere Ausstellung fand innerhalb von 11 Tagen im Dezember 2020 statt – jede Studentin übernahm für einen Tag den Instagram-Account und veröffentlichte dort Fotos ihrer Arbeit und ein Statement zu Ihrer Arbeit. Wir wollen uns auf drei Beiträge pro Künstler*in beschränken, um den Besucher*innen der virtuellen Ausstellung trotz der vielen verschiedenen Projekte eine klare Linie bieten zu können.
In diesem Blog auf der Website der KMD Herbststrasse finden Sie jeweils einen Beitrag unserer Arbeiten. Obwohl wir froh sind, unsere Arbeiten in diesen herausfordernden Zeiten dennoch stolz zeigen zu können, freuen wir uns auch auf eine Zukunft, die uns ermöglicht, unsere Arbeiten persönlich zu präsentieren.
Auf ein baldiges Wiedersehen!
Die Studierende der 6KKA 2020/21
Die Studierenden des Kollegs SchmuckDesign
(Instagram / E-Mail-Kontakt)
- Angelina Beyer (angelina.beyer@gmail.com)
- Anja Doppler (@aydeajewelry)
- Maria Eisenbauer (@maria_mueppchen)
- Lena Glieber (@glieber_jewellery)
- Lisa Harlander (@harlanderlisa)
- Caroline Klenner (caro.klenner@hotmail.com)
- Valentina Rigger (@valentinarigger.jewellery)
- Natalia Sharova (natalia.sharova@hotmail.com)
- Lucia Torres Venegas (luciatorresve@gmail.com)
- Birgit Wimmer (@birgitwimmerjewellery)
- Marion Wind (marionwind@gmx.at)
Instagram Präsentation: Link
Betreuung der Lehrenden an der KMD Herbststrasse
- Sonja Bischur
- Nikolaus Egger
- Hemma Pumhösl
- Haldis Scheicher
- Birgit Wiesinger
- Petra Zimmermann
What is precious?
These pieces of jewellery illustrate the transformation of surface textures and thus in aesthetics, caused by chemical processes. They explore the value of decomposing materials from the change, to fragility, until total decay and highlight the potential and beauty of what is traditionally regarded as “unattractive“ and “of little value”.
Künstlerin: Birgit Wimmer, Ohrringe. Foto: Stefan Dorn
Kolleg SchmuckDesgin an der KMD Herbststrasse
„Beauty is omnipresent“
These pieces of body jewellery were created regarding the theoretical aspects of beauty while filtering out parameters for beauty and transferring these to jewellery. To create “beautiful” pieces of jewellery, four mathematical parameters occurring in nature were considered: the golden ratio, the Fibonacci sequence, as well as recurring structures, patterns and symmetries.
Traditionally, the term “body jewellery” is associated with “jewellery for pierced parts of the body other than ears”. But if you divide the term „body jewellery“ and look at the words separately, you get „body“ and „jewellery“. This results in „jewellery for the body“.
As the handcrafted pieces go beyond the classical creation of jewellery by their size and do not only decorate a certain part of the body, such as the décolleté, but extend over larger areas of the human body, they decorate the body and thus serve as body jewellery.
Künstlerin: Valentina Rigger, Körperschmuck – the Beauty.
Kolleg SchmuckDesgin an der KMD Herbststrasse
Vienna is not just a big city – Vienna is a mood, a way of life.
Nothing reflects the “Viennese charme” as concretely as the traditional Viennese Coffeehouse. 3 signet rings capture the atmosphere of a classic Viennese Coffeehouse and symbolically contribute to the maintenance of this institution.
Künstlerin: Lena Glieber, No1 Velvet
Kolleg SchmuckDesgin an der KMD Herbststrasse
Warrior Women is a small series consisting of two diadems: Penthesilea (named after the amazon queen) and Diana (hoddess of the hunt). This jewelry is dedicated to all women who fight for themselves and their values. Who give other people strength and courage.
Künstlerin: Anja Doppler, Diadem
Kolleg SchmuckDesign an der KMD Herbststrasse
The tupu has been a traditional piece of jewellery for many centuries in Peru and the Andean landscape. Traditionally worn by women* throughout different classes in precolonial society it always made a statement about the wearer’s status. With the colonisation of South America drastic shifts happened in societal structure and distribution of power. My piece of work focuses on oppression as well as on current struggles and resistances of women* in the Latin America against neo-colonialism and patriarchy.
Künstlerin: Lucia Torres Venegas, Tupu. Foto: Sabrina Karahodzic
Kolleg SchmuckDesign an der KMD Herbststrasse
These jewellery pieces are inspired by a famous historical Viennese greenhouse, the ‚Schönbrunner Palmenhaus‚. Its dominating form, the curve, becomes the main motif in this series of jewellery. The material of choice is iron, the most important material during the industrial revolution, though not as popular in jewellery making.
Künstlerin: Natascha Sharova, brooch. Foto: Maria Gärber
Kolleg SchmuckDesign an der KMD Herbststrasse
This work is about proportions in jewelry, measured by the characteristics size, weight and shape. In order to determine the extent these dimensions influence the wearing comfort of jewelry, they were varied and applied to three different pairs of earrings. The shapes of my earrings derived from classical shapes known in the Renaissance: circle, triangle and octagon.
(The big octagon earrings have the same size, the same shape, but a different weight. The circle earrings have the same weight, the same shape, but a different size. The triangle pair has the same size, the same weight, but a different shape.)
Künstlerin: Maria Eisenbauer, Ohrringe.
Kolleg SchmuckDesign an der KMD Herbststrasse
Gold not only fascinates with its yellowish shiny surface, but is also very tasty. As a refinement technique, gold does not even stop at delicacies. The jewelry pieces are inspired by the colors and diverse shapes of sweet delicacies. Within those pieces the surface technique of gold leaf gets a glance into the artistic world of jewelry design.
Künstlerin: Marion Wind, Ring. Foto: Marion Wind
Kolleg SchmuckDesign an der KMD Herbststrasse
Finding “good jewelry” for your hair is often not that easy. In our culture, hair accessories are predominantly consumer products that are disposed of after a few weeks. The unique series includes clips and chopsticks that hold the hair in place. The sticks can be extended with various attachments to bring the wearer’s hair into focus.
Künstlerin: Angelina Beyer, Serie Wiederbelebung des Haarschmucks
Kolleg SchmuckDesign an der KMD Herbststrasse
The hybrid arose from the idea of creating something new in which jewelry and fashion are equal and simultaneously combined into one object. My intention is to go beyond boundaries and to show that there are no limits to art.
Künstlerin: Caroline Klenner, Oberkörperschmuck Foto: Caroline Klenner
Kolleg SchmuckDesign an der KMD Herbststrasse
This group of works pays homage to the Viennese language. Viennese may sound
incomprehensible to many people, but it is unmistakable on the other hand. With the help of jewelry, this bizzare language and the feeling for “Viennese” as an attitude to life and language should be transferred. The jewelry objects of this group of works are a personal artistic interpretation of the Viennese language and represent a (not so serious) translation of it into the medium of jewelry.
Künstlerin: Lisa Harrender, Ring. Foto: Lisa Harrender
Kolleg SchmuckDesign an der KMD Herbststrasse
